Frames built around stories.

A motorsport photographer built for race weekends.

Spaceman Media is a motorsport photographer working the pit lane, grid, and hot track for race teams, drivers, series, and the brands that back them. Every frame in this portfolio was shot at a real event - endurance rounds, drift comps, karting nationals, rallycross finals, and Porsche cup racing - not staged studio work dressed up as motorsport photography. If you need images that hold up in a race recap, a sponsor deck, and a full-page magazine spread, that is the standard we shoot to.

What race teams and drivers get

A weekend of coverage is a full narrative: paddock arrival and setup, driver portraits before the green flag, wheel-to-wheel action from track-side positions the general public never sees, pit stop sequences shot with the crew, and podium celebrations delivered fast enough to post while the story is still live. Files are edited, color-graded, and delivered as web-ready JPGs plus print-ready originals so the same shoot feeds Instagram reels, sponsor reports, hero art for team merch, and editorial submissions.

Disciplines covered

• Endurance and sprint road racing (NASA, SCCA, club series, Porsche Cup)
• Formula Drift, ProAm drift, and grassroots drift events
• Karting - regional rounds through national championships
• Rallycross and Nitrocross
• Hot rod, tuner, and JDM feature shoots
• Driver portraits, team headshots, and sponsor-ready lifestyle

Full-season creative partnerships

A racing season is a continuous narrative - testing, media days, ten to twenty rounds, off-week content, and sponsor obligations. I work as a dedicated creative partner for teams and brands, providing a consistent visual identity that sponsors rely on. By handling both the capture and the editorial layout, I ensure that the story told on Instagram on Sunday night matches the feature story in the program six months later.

Editorial-grade delivery

Everything is shot with editorial and print use in mind. That means clean exposure and color out of camera, deliberate composition, and files that stand up when a magazine designer drops them into a two-page spread. If you also need those images laid out - race recaps, driver features, program guides - I cover the magazine design as well so the story arrives finished, not as a folder of loose files.

Booking a race weekend

Grab a call to walk through your season, key rounds, and how coverage should be paced. We'll map out a strategy that fits your team's goals and ensures consistent, high-end coverage from start to finish.